TAKE ME OUT: Interview with Director Michael Harper
As part of the film screenings at Get Connected each month Blank Stage seeks to feature the hard working directors behind each of the projects. Enjoy the interview!
Are you looking forward to your film screening at “Get Connected”?
Definitely. I’ve heard some very positive comments about previous Get Connected events, and I’m excited to attend this one. To have the opportunity to screen at an industry event is a special treat. The people watching the film are industry peers; they know the trials and tribulations of making a film, so for me, their opinions hold more weight. Get Connected gives me a chance to show the Atlanta film community what kind of movies I can make; hopefully Take Me Out is well-received.
Describe your past experience in the industry.
I’ve been working exclusively in the Atlanta independent film industry since 2007. I work predominantly as a screenwriter, story consultant, and writing coach; I’ve started two screenwriters’ groups in Atlanta, and worked with several production companies. In 2009, I also began working as a 1st AD, primarily for CakeBaby Productions. Take Me Out is my directorial debut. Our world premiere was at the 2011 Action On Film International Film Festival, where the film was named Best Short Runner-Up. I was named Best Director at the 2011 Atlanta Horror Film Festival. I’ve currently got two short screenplays I’ve written in production at different companies, directors and talent attached, with plans to shoot both by the end of the year.
What is your film about?
Take Me Out is a psychological thriller set during the last ten minutes in the life of Parker Lam, a baseball Hall-of-Famer and death-row inmate awaiting execution. When he receives an eleventh-hour visit from former teammate Alex Mackenzie, Parker is forced to admit the brutal truth of his crime. The film explores themes of friendship, brotherhood, love, obsession, rage, and ultimate accountability.
How did you come up with the idea?
I wrote the screenplay for Take Me Out in the summer of 2006, as a writing sample for the Los Angeles-based Writers’ Arc Screenwriting Fellowship. The first round qualifying assignment for potential fellowship members was to craft a scene using two character names, a location, and a prop supplied by the Writers’ Arc. But those details were merely logistical decisions for the story; the themes and conflict came from my personal experience. I was planning my wedding at the time I was writing Take Me Out, and had recently moved in with my wife-to-be after living with my brother for two years. Subconsciously, I’m sure I felt I was betraying my brother in some way by choosing my new wife over him, and was questioning the definitions and boundaries of brotherhood. Add to that the minor familial and friendship discord that can arise when a man brings a new lover into his life, and my writer’s mind took these situations and pushed them to the extreme. The Writers’ Arc guidelines just helped craft the perfect container for the story I needed to tell.
How did you go about making the movie?
The only way I knew how; by the seat of my pants. Take Me Out was set up at two other production companies, with two other directors attached, at separate times. Due to scheduling, financing, and the always fun “creative differences”, the shoots just kept getting pushed back. Eventually, I realized that if the film was going to get made, I would have to produce it myself. With my experience behind the camera as a 1st AD on other short films, and having directed several animated shorts, I felt confident stepping into the director’s role. We went into pre-production in January, 2010, and after a major re-scheduling, shot the film in November of last year. As a first-time producer and director, I made quite a few mistakes; luckily I was surrounded by professionals who taught me a lot, and the final product didn’t suffer too much from my inexperience. It was a great learning opportunity for me, and I’m humbled by the success the film has found since its release.
Tell us about your cast and crew.
I was incredibly lucky to pull together such a dedicated group of talented filmmakers. Rob Pralgo’s unrelenting work ethic really allowed him to dig deep into Parker’s psychology. The emotional roller-coaster he endures during the film, from all swagger and ego through total devastation is harrowingly extreme, and Rob gave me exactly what I was looking for. There’s a reason Rob works a lot; it’s because he’s so good at what he does.
I had worked with Stephen Caudill before, and when I began casting, he was the first person I called. Stephen’s all-American look and his ability to really command the screen were paramount in his casting as Alex, and his off-screen friendship with Rob added so much to the subtext of the script. Together, they were the only choice for this film.
Steve Coulter is one of my closest friends in the business, and hands-down the most talented person I know. He writes, acts, directs, slices, dices, and makes cole slaw. He joined us late in the process, mostly because I was afraid to direct him because I just love him so much. But once I saw him with Rob in rehearsal, I knew they were going to generate electricity on screen. He brought the perfect balance of humor and sympathy to the prison guard; he’s just great.
Mindy Castellanos was suggested to me for the role of Marjorie by a mutual friend, and once I saw a photo of her, I was instantly smitten. And when we met, her energy and charisma were infectious. I realized she needed to be a bigger part of the film, so I expanded her role, only for most of it to end up on the cutting-room floor through no fault of hers. She’s awesome in the film, and I look forward to working with her again on something where I can really help her shine.
Behind the camera, my lead producer Kelly Silverman was instrumental in getting Take Me Out to the screen. Kelly is a mixture of drill sergeant and cheerleader; she kept me on task and always made a point of telling me how great the finished project would be. If she ever had doubts about the project, she never let it show; she was always 100% positive.
Tim Glover was our DP; I’ll never be able to say enough about that man. He’s a magician with a camera, and a phenomenal director himself. Take Me Out was the fourth time I’d worked with Tim, and he brought so much to the look of the film. He’s one of the best in the business, and I’ll work with him any chance I get.
In the cutting room, I was lucky enough to have David Silverman as my editor. David, like Tim, is a great director on his own, and his eye was so helpful in editing Take Me Out. We worked a lot of long days getting the film in shape, and David’s input was invaluable. I learned a lot working with him, and enjoyed the process.
And the rest of the crew, everyone from the Executive Producers to the PAs were all 100% on their game. I’d work with all of them again in a heartbeat; they’re some of the best industry professionals the Atlanta area has to offer.
What will the audience enjoy about your film?
For me, the most important – and resonant – aspect of a film is truth. Special effects are cool, cinematography can set a beautiful mood, and sound is vital, of course, but the truth of a script, or a performance, or especially a theme, is what, in my opinion, stays with an audience long after the credits roll. So the story of Take Me Out, while completely fictional, is told honestly. Most of us know what it’s like to be betrayed by a best friend; a lot of us know what it’s like to lose the most important person in our lives; most of us know what it means to stand toe-to-toe in conflict against someone we love. These are the universal true-life inspirations for Take Me Out. Alongside those truths, though, is an ambiguity I fought to keep in the forefront of my mind as we made the film. I don’t want to answer every question the audience might have during the course of watching Take Me Out; I want the members of the audience to form their own individual opinions and answer their own questions from the depth of their own experiences. But if they’re just looking for a fun, intense roller-coaster ride, they’ll get that, too!
Any war stores from the set?
No more than the usual stuff. We shot outside, overnight, in November, so it was cold; very cold. But my cast and crew were all professionals, and they did their jobs beautifully, with no complaints. The big thing, I guess, was we lost our location the day before the shoot, so we had to regroup and shoot at a location without a fence. The prison fence you see in the film is just two four-foot by eight-foot chainlink panels zip-tied together, and held up by two c-stands. I had to throw away my storyboards and replan the whole shoot, because the logistics of the short fence really limited our choices. I think the close angles give the film a claustrophobic feel though, and it works.
Any tips you can share with others about the production process?
It’s old advice, but it’s so true, it bears repeating: a minute in pre-production will save an hour on set. As independent filmmakers, we don’t have the luxuries of long schedules and large budgets. Plan, plan, plan for everything, and then plan for things to go wrong, because something will. And surround yourself with professionals who know their jobs and do them well; their experience lets you trust them to handle the small problems that pop up during production.
TAKE ME OUT facebook fanpage: https://www.facebook.com/takemeoutmovie
GET CONNECTED facebook fanpage: https://www.facebook.com/pages/Get-Connected/150061968382511
FILM Atlanta: Ready, Aim – SET

We had the chance to sit down and talk shop with the up-and-coming set decorator Alvin Eric Vazquez. Alvin is a complete whirlwind of pure creative energy and when he gets behind a project you can bet it will look and feel authentic to the vision of the story. We had the pleasure of working with Alvin on the set of HARVEST alongside the FILMAtlanta team.
Alvin, please tell us a bit about yourself – your background!
I was a Visual Merchandiser and freelance designer working on projects for showrooms, houses, and corporate offices. As an upcoming set designer with a lot of passion towards my art, I keep myself educated with the ever changing styles and trends which in turn have given me the opportunity to grow personally and professionally in the film industry.
Talk to us about a few of your project before working on HARVEST?
My first break came on the set of Boulevard West -A Greenway Entertainment Production, which was followed by Harvest and now multiple other projects.
What was the pre-production process like for you?
From drawing to finding the right pieces to researching to putting it all together was all very exciting. We turned an entire vacant back area of our building into a movie set. It was so much fun. I worked so hard for an entire week, but the end result is something I was so proud of! I needed a SMOOTHIE!
What were some of the challenges for you?
How to work in an empty warehouse with over a thousand props to make it look like a Thrift Shop and deliver a story. I got so many items and props from every place I could and I only had a week to do it all. Also, I am still learning so I had to make sure I was on the right path. After a few days of working, Brent wanted some “white patches” covered up with more props and it was no problem. I call Brent my manager, lol! But it was so much fun and when it all came together it was movie magic!
What was it like seeing it all come together?
It was an awesome feeling looking at the sparkle in the eyes of the cast and crew as they came in ready to deliver as well as watching the director celebrating the accomplishments before the whole project was done. I was like a kid in a candy store, so proud and happy. I have seen a little bit of the movie and it has me very excited to see how it is being edited.
What was it like working with FILMAtlanta and Blank Stage?
It was great since day one. They are all wonderful team-players. Their enthusiasm, how they worked with each other, the positive vibes on the set made this project successful. Brent and Cynthia work so well together and really compliment each other so well.

You have been able to see a little bit of the footage, what has that been like for you?
As I see it unfold little by little and see my hard work and the cast performing it made me realized what I can accomplish. It gives me confidence.
What do you hope the little film will do?
I hope for it to open many doors for future projects for FILMAtlanta and Blank Stage Studios. I hope the project will continue to encourage more people to come to the FILMAtlanta meet-ups!
Other articles on the short film HARVEST:
Screenwriter Erk McNeal: http://blankstageproductions.com/screenwriter-erik-mcneal/
Actors Yasmein Ziyad and Darryl Moore: http://blankstageproductions.com/darryl-moore-and-yasmien-ziyad-on-harvest/
Learn More: http://blankstageproductions.com/shorts/harvest/
BLANK STAGE: In the Can
Collection of past commercial & industrial projects.
Clients include:
Emory Hospital, AMEC, Eastside Medical, Studioplex Studios, Georgia Tech, MyInterviewLink.com, Stomper.net, Forsyth Special Olympics, Pro@ctive CPA, Beyondvia Visual Talking, Atlanta Special Events, Horse and Rider Club, No Longer Bound, Dive Provo, JM Walker Group, MyCustomDay, GrowthANSWERS, Pilgrim’s Pride, Homeowner’s First, ActionCOACH, GunDogBroker, SONNARconnects, Elderlife, Aussie Pet Mobile, Commercial Lending Solutions, Black Bear Resorts, Paramount Plastic Surgery, Crepe Masters, Dr. T. Douglas Gurley, Inbone Technologies, ICM Insurance, Daza Dance, Breath of Inspiration, YellowTail, FugeoMundo, Woman’s Automotive Connection, Elderlife, Grand L. Stables, North Fulton Chamber of Commerce, First Mortgage, Team Ellis, Artisan Resource Center, Oakbridge Chiropractic, Prime Resins…
Recent Sample Portfolio:
Dr. Gurley’s Office | Office Beauty Shots | For Website
GunDog Broker | In The Field | Instructional
Southern Hills Medical Hospital | Contest Submission | Promotional
SONARconnects | The Power of Social Media | Promotional
GunDog Broker | In The Field | Instructional
Black and Strong | Webisode | Entertainment
Eastside Medical | On the Horizon | Promotional
Eastside Medical | Welcome to the Maternity Ward | Promotional
Eastside Medical | Ladies Night Out! | Promotional
Homeowners First | Cartwheel | 15 sec. Commercial
Homeowners First | Over the Hill | 30 sec. Commercial
Emory Johns Creek Hospital | Promotional | Five Minute Music Video | Black Eyed Peas
Homeowners First | Bending Over Backwards | 15 sec. Commercial
Homeowners First | Baby On Board | 30 sec. Commercial
Homeowners First | Bad Customer Service | 30 sec. Commercial
Homeowners First | Neighbors | 30- sec. Commercial
Post-it Notes | Stuck on You | 1 minute Viral Video | 2nd Place National
Elderlife | Presenting Financial Options | 8 Minute Training Video
Sample ThriveAMERICA
Atlanta Special Events | Promotional
Outrageous Doritos Collection | Contest Selection
Budweiser Video Collection | Contest Submission
North Fulton Chamber Expo | Where Atlanta Comes to Network | Promotional
Pro@ctive C.P.A. | An Accountant’s Fairy Tale | Business Comedy
Pro@ctive C.P.A. | Story Time with Uncle Mark | Business Comedy
The Artisan Resource Center | 9 Minute Promotional
[googlevideo]http://video.google.com/videoplay?docid=-7565645183686800710&hl=en#[/googlevideo]
Commercial Lending Solutions | Too Small Sandwich Shop | 1 minute online comedy promo
[youtube]http://www.youtube.com/watch?v=uiEiTH8Qsfg[/youtube]
Commercial Lending Solutions | Loan Harmony | 1 minute online comedy promo
[youtube]http://www.youtube.com/watch?v=_kfYcDAPfzc&feature=related[/youtube]
Paramount Plastic Surgery | We’re Removing Hairy Backs | 1 minute comedy promor
[youtube]http://www.youtube.com/watch?v=q3IUqLeCVUA&feature=related[/youtube]
Black Bear Resorts | Promotional | 9-minute Video Brochure
[googlevideo]http://video.google.com/videoplay?docid=9096512146753551344#[/googlevideo]
Ga. Tech C-op Program | Promotional | 9-Minute Video Brochure
[youtube]http://www.youtube.com/watch?v=bRYcU-JbPzQ[/youtube]
ActionCOACH | Promotional | 3-Minute Video Overview of GrowthCLUB
[youtube]http://www.youtube.com/watch?v=1xRJ3G39Yas[/youtube]
Recent Projects Complete
Past commercial & industrial video clients include:
Emory Hospital, AMEC, Eastside Medical, Studioplex Studios, Georgia Tech, MyInterviewLink.com, Stomper.net, Forsyth Special Olympics, Pro@ctive CPA, Beyondvia Visual Talking, Atlanta Special Events, Horse and Rider Club, No Longer Bound, Dive Provo, JM Walker Group, MyCustomDay, GrowthANSWERS, Pilgrim’s Pride, Homeowner’s First, ActionCOACH, GunDogBroker, SONNARconnects, Elderlife, Aussie Pet Mobile, Commercial Lending Solutions, Black Bear Resorts, Paramount Plastic Surgery, Crepe Masters, Dr. T. Douglas Gurley, Inbone Technologies, ICM Insurance, Daza Dance, Breath of Inspiration, YellowTail, FugeoMundo, Woman’s Automotive Connection, Elderlife, Grand L. Stables, North Fulton Chamber of Commerce, First Mortgage, Team Ellis, Artisan Resource Center, Oakbridge Chiropractic, Prime Resins…
Recent Sample Portfolio:
Dr. Gurley’s Office | Office Beauty Shots | For Website
GunDog Broker | In The Field | Instructional
Southern Hills Medical Hospital | Contest Submission | Promotional
SONARconnects | The Power of Social Media | Promotional
GunDog Broker | In The Field | Instructional
Black and Strong | Webisode | Entertainment
Eastside Medical | On the Horizon | Promotional
Eastside Medical | Welcome to the Maternity Ward | Promotional
Eastside Medical | Ladies Night Out! | Promotional
Homeowners First | Cartwheel | 15 sec. Commercial
Homeowners First | Over the Hill | 30 sec. Commercial
Emory Johns Creek Hospital | Promotional | Five Minute Music Video | Black Eyed Peas
Homeowners First | Bending Over Backwards | 15 sec. Commercial
Homeowners First | Baby On Board | 30 sec. Commercial
Homeowners First | Bad Customer Service | 30 sec. Commercial
Homeowners First | Neighbors | 30- sec. Commercial
Post-it Notes | Stuck on You | 1 minute Viral Video | 2nd Place National
Elderlife | Presenting Financial Options | 8 Minute Training Video
Sample ThriveAMERICA
Atlanta Special Events | Promotional
Outrageous Doritos Collection | Contest Selection
Budweiser Video Collection | Contest Submission
North Fulton Chamber Expo | Where Atlanta Comes to Network | Promotional
Pro@ctive C.P.A. | An Accountant’s Fairy Tale | Business Comedy
Pro@ctive C.P.A. | Story Time with Uncle Mark | Business Comedy
The Artisan Resource Center | 9 Minute Promotional
[googlevideo]http://video.google.com/videoplay?docid=-7565645183686800710&hl=en#[/googlevideo]
Commercial Lending Solutions | Too Small Sandwich Shop | 1 minute online comedy promo
[youtube]http://www.youtube.com/watch?v=uiEiTH8Qsfg[/youtube]
Commercial Lending Solutions | Loan Harmony | 1 minute online comedy promo
[youtube]http://www.youtube.com/watch?v=_kfYcDAPfzc&feature=related[/youtube]
Paramount Plastic Surgery | We’re Removing Hairy Backs | 1 minute comedy promor
[youtube]http://www.youtube.com/watch?v=q3IUqLeCVUA&feature=related[/youtube]
Black Bear Resorts | Promotional | 9-minute Video Brochure
[googlevideo]http://video.google.com/videoplay?docid=9096512146753551344#[/googlevideo]
Ga. Tech C-op Program | Promotional | 9-Minute Video Brochure
[youtube]http://www.youtube.com/watch?v=bRYcU-JbPzQ[/youtube]
ActionCOACH | Promotional | 3-Minute Video Overview of GrowthCLUB
[youtube]http://www.youtube.com/watch?v=1xRJ3G39Yas[/youtube]
. ‘Art of Suicide’, winner of the “Best Underground Film” award at last year’s Indie Fest, is Brooks’ second independent feature film and showcases his talent as an “actor’s director”. Brent and the Blank Stage teamed just wrapped on “Between Love & A Hard Place” a faith -based film that features “Thelma” from the his TV show Good Times, Irone Singleton the villain from ‘The Blind Side’ and R&B Gosbel singer, Canton Jones. Brooks was also honored with a “Davey Award” by the International Academy of the Visual Arts for his documentary The Artisan Resource Center: A Creative Enterprise. Using the story structure outlined in “Joseph Campbell’s “The Hero’s Journey” Brooks has pioneered a new film brainstorming technique called “ImprovAstorm”. Brent also manages “The Blank Page” screenwriting meetings and the “Under Budget”, producer’s meetings. Brent and a team of filmmakers are currently in-development of several exciting projects. Making it up!13/11/2010 By Leave a Comment
In lieu of the speaking at the coming FILMAtlanta meet-up, we recently had the chance to sit down with the two time Emmy award winning make-up artist turned producer Eva Jane Bunkley. Learn more about FILMAtlanta and get the chance to meet Eva, Wednesday, November 17th at 7:30! How did you get started in the film and TV industry? I have been a professional make-up artist since 1993 so that has put me on sets regularly, I love being on set. While doing make-up for Atlanta TV news, I caught the producing bug, it was addictive. I always enjoyed writing and absolutely loved movies. I used to watch at least a movie a day…I am sure I am partially responsible for Blockbusters growth as a company in the 90′s! I still do make-up artistry and have 2 Emmy Awards for it. I have also started doing semi-permanent make-up. Make-up artistry helps support my filmmaking endeavors.
Was this always your passion growing up? I always enjoyed art and have always been creative. I didn’t start out wanting to be a make-up artist. I went to Ohio State and studied fashion. When I moved to Atlanta, I intended on pursuing a career as a fashion stylist. I quickly realized that it wasn’t for me. Make-up came much easier to me and I enjoyed it well enough. I really wanted to be around and interact with people and make-up is the perfect career to facilitate that and create lasting bonds. Filmmaking is a more recent reality for me…I started work on my first film in 2004. I think that it is never to late to find your path. Filmmaking excites me and anyway I can be around an production environment, I am happy. Who have been your influences? When it comes to films, I am a horror and thriller junkie, and ultimately those are the types of films I want to make. My favorite film is the 1945 adaptation of Oscar Wilde’s, “The Picture of Dorian Gray.” I saw it when I was young and fell in love with the story and I loved how quick the dialogue in the film was… extremely verbose and witty. I love thick dialogue if it’s entertaining and not dull and unnecessary. The book for me didn’t have the same effect
Have any people you have met on set that have impacted your professional career in a positive way? I have a friend named Janette Smith that was one of the anchors at Fox 5 Atlanta and she helped flourish in my filmmaking and production endeavors. She took me under her wing and I did volunteer work under her at another broadcast and she taught me a lot. At the same time, I was gathering footage for my first film, “My Mother was a Butterfly.” It was simultaneous…so “Butterfly” was my learning curve and I have grown so much as a producer since. What advice do you have for those wanting a career like yours? I would say get beyond whatever your fear is. I think that fear is the number one factor when pursuing a career in film. It’s easy to go to the library or Barnes and Noble and read up on it, but it is another thing to actually make a film. Start small. Don’t say, I don’t have any money. Help someone else on there film project to learn more. Get involved in an organization such as Film MeetUp or WIFTA…get involved and get around it. Go to film festivals and meet like minded people and see what other people are doing and learn how they do it.
What are some a of the common questions you get? How to get funding…the numero uno filmmaking dilemma lol…and there are many answers to that question. Have you seen a lot of growth in the industry from your end here in Georgia? I do believe that there is but depending on how you classify yourself, that can determine how quickly you turn out your projects. There are many aspects of production that you can go into…commercials…training videos…documentaries…public service announcements… I think, depending on the type of production you want to do, will determine where you seek out work. Equiptment and especially quality camera have become more and more affordable, so I think, there is little excuse to not make SOMETHING. I was told you are alos now producing, can you share a little bit more about these projects? My production company is called “Eva-Lution Studios” and while I can “produce…” I did a video for Judge Hatchett, have done work for Creflo Dollar Ministries and have done videos for other clients such as interviews, this is not my passion. I prefer narrative projects. I also sell stock footage online and enjoy producing those clips. I will be doing more of that because I enjoy working with actors and it gives me an opportunity to do so outside of the process of narrative filmmaking. Eva Jane Bunkley BLANK STAGE PRODUCTIONS POOR BOY HOT MUFFIN WORLD WIDE DECEPTION PINEBOX JERSEY SHARK |



















